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Showing posts from December, 2020

MF Doom, Masked Rapper With Intricate Rhymes, Is Dead at 49

By Julia Jacobs via NYT Arts https://ift.tt/384CrQV

Let There Be Light, and Art, in the Moynihan Train Hall

By Dionne Searcey via NYT Arts https://ift.tt/2MmkMf9

‘Two Ways Home’ Review: A Spare Family Drama Unfolds in Iowa

By BY TEO BUGBEE via NYT Movies https://ift.tt/2JydB2t

‘Shadow in the Cloud’ Review: There’s Mischief in the Air

By BY DEVIKA GIRISH via NYT Movies https://ift.tt/3o2pFI5

Vanessa Kirby Has Been Waiting for a Role That Scares Her

By BY ELEANOR STANFORD via NYT Movies https://ift.tt/2WWSLwT

Dawn Wells, Mary Ann on ‘Gilligan’s Island,’ Dies at 82

By Anita Gates via NYT Arts https://ift.tt/2WWBQub

This Year Was a Disaster. We Hope the Sequel Is Better.

By BY A.O. SCOTT AND MANOHLA DARGIS via NYT Movies https://ift.tt/2KRiMLk

‘Pieces of a Woman’ Review: A Raw, Ragged Study of a Loss

By BY JEANNETTE CATSOULIS via NYT Movies https://ift.tt/2Ml4cMJ

The Bruce Willis Journey From In Demand to On Demand

By BY ELISABETH VINCENTELLI via NYT Movies https://ift.tt/3n1pGLh

She’s Starring Opposite Tom Hanks. She’d Never Heard of Him.

By BY THOMAS ROGERS via NYT Movies https://ift.tt/3hA96Rt

Jazz Onscreen, Depicted by Black Filmmakers at Last

By BY GIOVANNI RUSSONELLO via NYT Movies https://ift.tt/3rEEqmE

‘Night of the Kings’ Review: Telling Tales to a Captive Audience

By BY NICOLAS RAPOLD via NYT Movies https://ift.tt/3aS9wBi

Wonder Woman and Her Evolving Look

By BY GEORGE GENE GUSTINES via NYT Movies https://ift.tt/3aQeWgc

‘Herself’ Review: She Does It All

By BY GLENN KENNY via NYT Movies https://ift.tt/3aMJXlf

For His Second Act, Nnamdi Asomugha Made Preparation His Byword

By BY GINA CHERELUS via NYT Movies https://ift.tt/2WQg7UH

A History of the Cheetah in ‘Wonder Woman’

By BY DEVIN FULLER via NYT Movies https://ift.tt/3mUZdz1

A ‘Great Cultural Depression’ Looms for Legions of Unemployed Performers

By Patricia Cohen via NYT Arts https://ift.tt/2JiU0D8

What to Watch: Wars of the Past

By BY DAVID RENARD via NYT Movies https://ift.tt/3mO5oEY

How Pixar’s ‘Soul’ Animates Jazz

By BY MEKADO MURPHY via NYT Movies https://ift.tt/37Q5lEp

Kristen Wiig Would Have Said Yes to One Line in ‘Wonder Woman 1984’

By BY DAVE ITZKOFF via NYT Movies https://ift.tt/2WGRBVY

Leslie West, ‘Mississippi Queen’ Rocker, Is Dead at 75

By Jim Farber via NYT Arts https://ift.tt/3hd6Mjh

‘The Dissident’ Review: A Murder for Power

By BY DEVIKA GIRISH via NYT Movies https://ift.tt/34K6BGW

‘Wonder Woman 1984’ Review: It’s Not About What We Deserve

By BY MANOHLA DARGIS via NYT Movies https://ift.tt/3pj7wWM

‘Promising Young Woman’ Review: Courting Dangerous Liaisons

By BY JEANNETTE CATSOULIS via NYT Movies https://ift.tt/3aG7uEn

‘Soul’ Review: Pixar’s New Feature Gets Musical, and Metaphysical

By BY A.O. SCOTT via NYT Movies https://ift.tt/2KpObog

‘Your Name Engraved Herein’ Review: When Love Is All You Can See

By BY TEO BUGBEE via NYT Movies https://ift.tt/2Kotkld

‘DNA’ Review: Digging for Roots

By BY JEANNETTE CATSOULIS via NYT Movies https://ift.tt/3aEq7Zf

‘Dear Comrades!’ Review: When the Party Line Becomes a Tightrope

By BY BEN KENIGSBERG via NYT Movies https://ift.tt/3he3eNH

‘Pinocchio’ Review: An Enchanting Yet Befuddling Adaptation

By BY GLENN KENNY via NYT Movies https://ift.tt/3pk5oxT

‘Charm City Kings,’ ‘Babyteeth’ and Other Hidden Streaming Gems

By BY JASON BAILEY via NYT Movies https://ift.tt/3nM1ayZ

A New Pinocchio Film Returns to the Tale’s Dark Origins

By BY ELISABETTA POVOLEDO via NYT Movies https://ift.tt/3roR49h

George Clooney on ‘The Midnight Sky’ and Donald Trump

By BY KYLE BUCHANAN via NYT Movies https://ift.tt/2WDcbXg

Carey Mulligan Won’t Let Hollywood Off the Hook

By BY KYLE BUCHANAN via NYT Movies https://ift.tt/3nNq692

‘Soul’ Features Pixar’s First Black Lead Character. Here’s How It Happened.

By BY CHARLES SOLOMON via NYT Movies https://ift.tt/3nHn8mI

‘Sylvie’s Love’ Review: In the Mood for Romance, Sighs and Tears

By BY MANOHLA DARGIS via NYT Movies https://ift.tt/3mJDPfI

‘Ariana Grande: Excuse Me, I Love You’ Review: It’s Mutual.

By BY CHRIS AZZOPARDI via NYT Movies https://ift.tt/37CAKdi

Patty Jenkins on ‘Wonder Woman 1984’ and the Future of Theaters

By BY KYLE BUCHANAN via NYT Movies https://ift.tt/2LWxt02

What to Watch: Sci-Fi Movies Led by Women

By BY DAVID RENARD via NYT Movies https://ift.tt/2WwJmff

Can We Talk About the Mom in ‘A Christmas Story’?

By BY DINA GACHMAN via NYT Movies https://ift.tt/3mB0v1F

Catie Lazarus, Comedian With a Lot of Questions, Dies at 44

By Alex Vadukul via NYT Arts https://ift.tt/2KeI469

‘Saturday Night Live’ Finds a New Joe Biden After Jim Carrey Exits

By Dave Itzkoff via NYT Arts https://ift.tt/37wGJ3b

Better Than Besties: Why Gay Holiday Films Matter

By BY ERIK PIEPENBURG via NYT Movies https://ift.tt/3anQ2nW

‘Ma Rainey’s Black Bottom’ | Anatomy of a Scene

By BY MEKADO MURPHY via NYT Movies https://ift.tt/3awywhc

Berlin Film Festival Is Delayed. Will Cannes and Venice Follow?

By BY ALEX MARSHALL via NYT Movies https://ift.tt/3aqdBfU

Watch Chadwick Boseman in a Scene From ‘Ma Rainey’s Black Bottom’

By BY MEKADO MURPHY via NYT Movies https://ift.tt/38kCXci

‘Ma Rainey’s Black Bottom’ | Anatomy of a Scene

By BY MEKADO MURPHY via NYT Movies https://ift.tt/3mAB6VY

‘Fatale’ Review: Another Attraction of the Fatal Kind

By BY GLENN KENNY via NYT Movies https://ift.tt/3akf9rP

Jeremy Bulloch, Who Played Boba Fett in ‘Star Wars’ Movies, Dies at 75

By BY MICHAEL LEVENSON via NYT Movies https://ift.tt/3nval6H

Kim Ki-duk, Award-Winning South Korean Filmmaker, Dies at 59

By BY CHOE SANG-HUN via NYT Movies https://ift.tt/3ny6whc

‘Museum Town’ Review: A Love Letter to Mass MoCA

By BY LOVIA GYARKYE via NYT Movies https://ift.tt/3r6ZYs4