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Showing posts from October, 2022

Stream These Three Great Documentaries

By BY BEN KENIGSBERG via NYT Movies https://ift.tt/9hTtPqv

‘S.N.L.’ Takes on Herschel Walker, Dr. Oz and Kari Lake

By Dave Itzkoff via NYT Arts https://ift.tt/rJQbxop

Jerry Lee Lewis: Listen to 10 Songs From a Rock ’n’ Roll Pioneer

By Jon Pareles via NYT Arts https://ift.tt/BKQ3n4m

Sacheen Littlefeather and the Question of Native Identity

By BY EDUARDO MEDINA AND MICHAEL LEVENSON via NYT Movies https://ift.tt/gfn1NW7

Stephen Colbert Bans Kanye West From ‘The Late Show’

By Trish Bendix via NYT Arts https://ift.tt/dXrOqMD

How a Diner Talk Builds Tension in ‘The Good Nurse’

By BY MEKADO MURPHY via NYT Movies https://ift.tt/oh09dYe

‘The Good Nurse’ | Anatomy of a Scene

By BY MEKADO MURPHY via NYT Movies https://ift.tt/fZwmcTN

Jerry Lee Lewis, a Rock ’n’ Roll Original, Dies at 87

By William Grimes via NYT Arts https://ift.tt/0KkJOUS

Stream These 7 Movies and Shows Before They Leave Netflix This Month

By BY JASON BAILEY via NYT Movies https://ift.tt/Sx1diBT

James Gray on ‘Armageddon Time,’ Antisemitism and Racism in 1980s Queens

By BY BEN KENIGSBERG via NYT Movies https://ift.tt/NKoaHs3

In a German ‘All Quiet on the Western Front,’ History Has a Starring Role

By BY CHRISTOPHER F. SCHUETZE via NYT Movies https://ift.tt/a9NjL65

‘Peaceful’ Review: A Homage to French Filmmaking

By BY BEATRICE LOAYZA via NYT Movies https://ift.tt/LRgvfxQ

Climate Protester Glues His Head to ‘Girl With a Pearl Earring’ Painting

By Christine Chung via NYT Arts https://ift.tt/obi8T0G

Sheriff Delivers Results of ‘Rust’ Shooting Investigation to Prosecutors

By BY JULIA JACOBS AND GRAHAM BOWLEY via NYT Movies https://ift.tt/aNMvFSh

‘Call Jane’ Review: Abortion History That’s Being Repeated Now

By BY MANOHLA DARGIS via NYT Movies https://ift.tt/aHrlVXn

‘Armageddon Time’ Review: Hard Lessons About Life in America

By BY A.O. SCOTT via NYT Movies https://ift.tt/1CgYrMO

When Henry Selick and Jordan Peele Team Up, Things Get Wild

By BY CARLOS AGUILAR via NYT Movies https://ift.tt/528Jmgs

‘Wendell and Wild’ Review: Not Wild Enough

By BY MAYA PHILLIPS via NYT Movies https://ift.tt/0MJSOCF

‘The Lair’ Review: Going Underground

By BY JEANNETTE CATSOULIS via NYT Movies https://ift.tt/wzXZ0hK

Jimmy Kimmel Wonders Why Trump Would Talk to Bob Woodward

By Trish Bendix via NYT Arts https://ift.tt/7jdIt4H

‘The Runner’ Is a Gem of the Iranian New Wave

By BY J. HOBERMAN via NYT Movies https://ift.tt/G35Cp0B

With ‘The Good Nurse,’ a Director Takes on a Serial Killer and a System

By BY DAVE ITZKOFF via NYT Movies https://ift.tt/rPxa2IZ

James Corden and the Dangers of Likability

By Jason Zinoman via NYT Arts https://ift.tt/wDQVL4a

She Knew the Cello. The Acting She Learned With Cate Blanchett.

By BY BRANDON YU via NYT Movies https://ift.tt/2wl0eYy

James Wan Prefers Peter Jackson’s Gory Horror Comedies

By BY CHRIS KORNELIS via NYT Movies https://ift.tt/N5PfRcO

How ‘Terrifier 2’ Slashed Its Way to Box Office Success

By BY ERIK PIEPENBURG via NYT Movies https://ift.tt/GymfQtp

James Cameron and the Cast of ‘Avatar: The Way of Water’ Hold Their Breath

By BY KYLE BUCHANAN via NYT Movies https://ift.tt/a1JrEOc

Paul Mescal Has Been Working Things Out

By BY DOUGLAS GREENWOOD via NYT Movies https://ift.tt/gs6NqSV

Kanye West’s Offensive Behavior Makes Corporate Partners Squirm

By Ben Sisario, Vanessa Friedman, Jessica Testa and Ellen Barry via NYT Arts https://ift.tt/6LGRQ3z

Leslie Jordan, Comic Actor and Instagram Star, Dies at 67

By Neil Genzlinger via NYT Arts https://ift.tt/aD3Aw2m

Danielle Deadwyler Is the Beating Heart of ‘Till’

By BY SARAH BAHR via NYT Movies https://ift.tt/JRNCfpw

Climate Activists Throw Mashed Potatoes on Monet Painting

By Eduardo Medina via NYT Arts https://ift.tt/gnNcxPV

‘House of the Dragon’ Season 1 Finale Recap: The Angriest Dragon

By Jeremy Egner via NYT Arts https://ift.tt/nxVCAtD

The One Where Matthew Perry Writes an Addiction Memoir

By Elisabeth Egan via NYT Arts https://ift.tt/uPYWV9C

Lucy Simon, Singer and Broadway Composer, Dies at 82

By Neil Genzlinger via NYT Arts https://ift.tt/pPmCRTQ

An Iranian Exile Channels Her Trauma Into Film

By BY ROGER COHEN via NYT Movies https://ift.tt/k5ywRi0

Taylor Swift, Caught Between Yesterday and Tomorrow on ‘Midnights’

By Jon Caramanica via NYT Arts https://ift.tt/DUyG7Rl

‘The African Desperate’ Expands the Movies’ Narrow View of the Art World

By BY NICOLAS RAPOLD via NYT Movies https://ift.tt/LsbDtjS

How George Clooney and Julia Roberts Quietly Became the Tracy-Hepburn of Our Time

By BY JASON BAILEY via NYT Movies https://ift.tt/PCmXg1n

‘Everything Everywhere,’ All Through Awards Season?

By BY KYLE BUCHANAN via NYT Movies https://ift.tt/BSrK4ft

Five International Movies to Stream Now

By BY DEVIKA GIRISH via NYT Movies https://ift.tt/nyGcTar

The Clock Strikes: Time for Taylor Swift’s New LP, ‘Midnights’

By Ben Sisario via NYT Arts https://ift.tt/ZeEG1q4

‘Glengarry Glen Ross’ and ‘Reservoir Dogs’ at 30: Men Talking

By BY JASON BAILEY via NYT Movies https://ift.tt/GNvQLwp

James Corden Would Rather Not Talk About That Omelet

By Dave Itzkoff via NYT Arts https://ift.tt/2VPG1zo

‘All That Breathes’ Review: Hope Is the Thing With Feathers

By BY A.O. SCOTT via NYT Movies https://ift.tt/cBAJ1GK

‘The Fire that Took Her’ Review: An Unflinching Portrait of Pain

By BY NATALIA WINKELMAN via NYT Movies https://ift.tt/KpLjzy9

‘The Banshees of Inisherin’ Review: Giving Your Friend the Finger

By BY A.O. SCOTT via NYT Movies https://ift.tt/5DSaRYo

‘Matriarch’ Review: Maternal Instincts

By BY BEN KENIGSBERG via NYT Movies https://ift.tt/2JjQcn9

‘Black Adam’ Review: Heroism, but Paint It Black

By BY MAYA PHILLIPS via NYT Movies https://ift.tt/HcAvF64

‘Ticket to Paradise’ Review: Yes, They Like Piña Coladas

By BY AMY NICHOLSON via NYT Movies https://ift.tt/ZN4Iehy